Abstract This paper explores the typographic choices used in the animated series Oggy and the Cockroaches . It analyzes the main title logo, the in-episode subtitles, and the unique character of the hand-drawn text elements. By examining the geometry, stylistic influences, and functional use of these typefaces, we can better understand how typography contributes to the show's chaotic, slapstick identity and assists in transcending language barriers for a global audience. 1. Introduction Oggy and the Cockroaches , created by Jean-Yves Raimbaud and produced by Xilam, is a modern homage to the golden age of American animation, specifically the slapstick violence of Tom and Jerry . However, unlike traditional dialogue-heavy cartoons, Oggy relies almost entirely on visual storytelling and non-verbal vocalizations. This presents a unique challenge for typography: when text is used, it must be instantly recognizable, highly expressive, and visually aligned with the show's frantic energy. The fonts employed act not just as identifiers but as visual extensions of the characters themselves. 2. The Main Title Logo: "Oggy" The primary logo for the series is a masterpiece of custom hand-lettering that defies simple classification. It does not rely on a single, off-the-shelf font but rather utilizes custom typography designed to mirror the physical attributes of the protagonist, Oggy. Notmygrandpa 23 10 04 Khloe Kingsley A Case Of ... [DIRECT]