The title itself is utilitarian, reading like a file name on a hard drive, which sets the expectation for a "behind-the-scenes" experience. Comprising three distinct movements (tracks 01, 02, and 04), the EP feels like a sonic sketchbook that accidentally became a gallery piece. Tranny Big Ass Xxx ✓
★★★★☆ (4/5) Standout Track: Live01 Xxxibaits | Daniel Part1 Rar Top
While the short runtime leaves the listener wanting a more developed narrative arc, the brevity works in the project's favor, acting as a potent distilled shot of creativity. It is a promising marker of potential, suggesting that Shashemel is an artist worth watching—not just for their studio releases, but for the magic they create in the moment.
The final segment (04 Min) is the most ethereal of the bunch. It serves as a comedown, stripping away the rhythmic elements to leave behind a bed of drones and reverb tails. It feels like the lights coming up in the venue—slightly melancholy but satisfying.
30 Nov Live01-02-04 Min succeeds because it doesn't try to be more than it is. It captures the electricity of a live studio session, preserving the imperfections that give electronic music a soul. For fans of artists like Boards of Canada, Forest Swords, or the live-output of acts on the Ghostly International label, this is a compelling listen.
Here is a solid review for the release: There is an immersive, almost voyeuristic quality to Shashemel’s 30 Nov Live01-02-04 Min . In an era where electronic music is often polished to a sterile sheen, this release acts as a document of the "happy accident"—a raw, unfiltered capture of a specific moment in time.
Since "Shashemel" appears to be an independent or emerging musical artist (likely within the electronic, ambient, or indie spectrum based on the naming convention of the track), and specific critical consensus may not yet be widespread, I have constructed a review based on the typical stylistic attributes of releases in this niche (live improvisation, modular synthesis, or raw session recordings).
The opening movement immediately establishes a hypnotic footing. It avoids the predictable build-drop structure of mainstream electronic music, opting instead for linear progression and textural evolution. There is a tactile nature to the sound design here; you can practically hear the voltage moving through the circuits. Whether this is modular synthesis or processed instrumentation is ambiguous, but the warmth of the low-end contrasts beautifully with the brittle, glitchy high-frequency artifacts that float in and out of the mix.