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Let’s talk about the move that separates the intermediate card handlers from the advanced technicians:
The repack focuses heavily on the action of the steal. Unlike a pass where the deck moves, the Side Steal allows the deck to stay virtually static. Cummins teaches you how to steal the card into palm position without the tell-tale twisting motion that gives amateurs away.
Most magicians avoid the Side Steal because they think it’s knuckle-busting. Cummins’ teaching style is legendary because he breaks the move down into such small, logical steps that you realize it’s not about finger gymnastics—it’s about timing and fluidity. If you can do a pass (even a sloppy one), you can learn this with this material.
Do you prefer the Side Steal over the Classic Pass for audience work? I’m curious how many people are actually using this in their professional repertoire vs. just practicing it in the mirror.