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In the history of Brazilian cinema, Correndo Atrás may not be listed alongside the classics of the Retomada. It didn't win the Cannes Palme d'Or. But for a generation of skaters, it was more influential than any Oscar winner. It taught them that the city was theirs to conquer, one ollie at a time. To understand the depth of this film, one must look at the three pillars it established for Brazilian extreme sports culture: Girlsdoporn 24 Years Old E473
More than just a skate video, Correndo Atrás stands today as a vital anthropological document of the turn of the millennium. It captured a generation of Brazilian youth who found freedom in the gray concrete of a chaotic metropolis, bridging the gap between a subculture sport and a legitimate cinematic narrative. Directed by Alexandre Dantas, Correndo Atrás arrived at a time when skateboarding in Brazil was transitioning from a counter-culture rebellion into a professionalized industry. In the late 80s and early 90s, skaters were often viewed as vagrants or delinquents. By 2000, thanks to icons like Bob Burnquist and Sandro Dias (who features prominently in the film), the perception was shifting.