However, the writing suffers from severe pacing issues. The "road trip" format allows for episodic storytelling, but here, the episodes feel random rather than contributing to character growth. There are long stretches where nothing significant happens, followed by sudden, jarring action sequences. The screenplay lacks the tightness of Puri’s previous hits. The logic often takes a backseat to style; for instance, the mechanics of the car and the logistics of the chase are often overlooked for cinematic convenience. Naseeb Mkvcinemas
Samiksha is given very little to do other than look glamorous and be the object of affection. Her character is a plot device rather than a person, serving mostly to trigger the conflict or provide a break in the action sequences. Nba 2k23 Mycareer Unlocker Best Apr 2026
Cinematography by Shyam K. Naidu is commendable. He makes excellent use of natural lighting and landscapes, giving the film a distinct visual identity compared to other films of that era. The color grading is vibrant, adding to the "stylish" tag the movie aimed for.
Puri Jagannadh’s direction is a mixed bag. Visually, he captures the essence of a road trip well. The dusty highways, the pit stops, and the sheer scale of the journey are captured competently. Puri’s strength has always been his dialogue writing, and 143 has its moments of witty repartee that became popular with the youth audience.
The story is simple, perhaps too much so. Shiva (Sairam Shankar) is a carefree youngster with a passion for mechanics and speed. He lives life on his own terms, a typical "mass hero" archetype. The narrative kicks into gear when he meets the female lead (Samiksha) under chaotic circumstances. What follows is a journey across state lines, involving a car that acts as the third protagonist.
Here is a long, detailed review of the film. Cast: Sairam Shankar, Samiksha, Ashish Vidyarthi, Brahmanandam Director: Puri Jagannadh Music: Chakri